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WRITTEN BY JENNI L. WALSH
REVIEW BY J. LYNN ELSE This dual-timeline story follows the lives of Violet Jessop, who in real life survived the maritime disasters of the Olympic, Titanic, and Britannic, and that of Daphne Chaundanson, daughter of a famous actor who becomes an agent for the Special Operations Executive (SOE), French Section, during WWII. The book opens with young Violet, a White Star Line stewardess, preparing for the Titanic’s departure from Southampton Port. Despite her frightening experience on the Olympic, the tips she receives from passengers help support her mother and siblings. Daphne’s story opens in 1942 as she interviews to join a resistance movement. Angered by the Germans’ invasion of her home country, she sets out to break the German oppression. One connecting thread ties these two women, and two wars, together in tragedy. To me, one of the most difficult aspects of writing historical fiction is creating authentic character mindsets, and Walsh captures this aspect beautifully. Daphne is passionate about taking back her country and is modeled upon the experiences of the 39 real-life SOE women. For Violet, the Titanic’s a job. She knows details employees of White Star Line would know, like the proper way to secure a life vest under a coat despite the uncomfortableness of the stiff cork against the body. While history tells us what happened, through Walsh’s compassionate prose, we’re able to feel what happened as well. Sitting in a lifeboat, wrapped in shadows of the night, as a ship groans its last and plunges into the Atlantic to the setting of explosives in a German depot while guard dogs bark close by: these settings feel that much more authentic under Walsh’s deft pen. Unsinkable is a story of courage, resilience, and steering your own course in life. Recommended! Appeared in Issue 107 (February 2024) and online: https://historicalnovelsociety.org/reviews/unsinkable-2/  The Call of the Wrens
WRITTEN BY JENNI L. WALSH REVIEW BY TRISH MACENULTY From its intriguing cover to the author’s note at the end, this book will captivate readers. Alternating between the story of Marion, a “Wren” in the Great War, and Evelyn, who serves in World War II, the story delves into the important and often overlooked history of the British women who risked their lives to serve their country. Marion is an unwanted orphan, who refuses to speak to anyone until she finds acceptance and love with Eddie, an orphan like herself. When she ages out of the orphanage, she has only one option: join the Women’s Royal Naval Service. But Eddie isn’t about to let her go without him, so he joins the Navy and makes sure they are always in close proximity. When tragedy befalls them, Marion becomes a bitter recluse until an old friend convinces her to come back to the Wrens, just in time to become a mentor to Evelyn, a young woman who has overcome a physical disability and familial disapproval to become a motorcycle messenger for the resurrected service. The characters (including a brave pigeon) are sympathetic and believable, the plot has plenty of surprises, and the history of these heroic women is fascinating. I read this book on the beach and couldn’t turn the pages fast enough, but it would be also be an ideal read in a cozy chair with a cup of tea in front of the fireplace. Review appeared in HNR Issue 102 (November 2022) and can be found online at https://historicalnovelsociety.org/reviews/the-call-of-the-wrens/  From its enticing cover to the turn of the last page, this novel is engrossing. A fabulously entertaining story about a remarkable woman who just wanted to be herself.
WRITTEN BY JENNI L. WALSH REVIEW BY FIONA ALISON From its enticing cover to the turn of the last page, this novel is engrossing. Alongside other historical women way ahead of their time, Simone Jules was the first female professional croupier. Her tale dabbles in love and revenge, but her game of choice? Vingt-et-un, which she introduced to the West in 1849. After a family tragedy overtakes her life, Simone arrives in San Francisco, determined to reinvent herself, no longer a daughter or twin sister or fiancée. The miners flock to her table to spend their gold. Simone is striking, intoxicating, with a feminine allure, made even more so by her silky French accent, which she uses to advantage. She is well-mannered, intelligent, and business-savvy. She never allows a client to touch her. Her gambling houses are respectable—no cussing, no brawling—and she doesn’t hire girls! After another tragedy, she joins a mule train for a few years, reinvents herself as Eleanor Dumont, and sets up Madame Dumont’s with her own hard-earned money. Until the inevitable happens and the miners move on again, drawn to the seductive whispers of gold. Simone is a drifter, a very successful one, a survivor with the will to overcome anything life throws at her. She sets up in many places from San Francisco to Kootenay, always dealing vingt-et-un, her specialty. We experience her wanderings, her hardships, and loneliness with her. The commotion and cacophony of noise in a place being built from the ground up and the subsequent quiet of the foothills are exactingly rendered. Many memorable characters come and go, but what stands out is Simone’s autonomy, her self-reliance, her freedom to go where she likes and do what she likes. A fabulously entertaining story about a remarkable woman who just wanted to be herself. First published on the HNS Website (May 6, 2021): https://historicalnovelsociety.org/reviews/a-betting-woman-a-novel-of-madame-moustache/ |
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